Flemish painter (b. ca. 1480, Bouvignes, d. 1524, Antwerpen).   Related Paintings of PATENIER, Joachim :. | Temptation of St Anthony ag | Landscape with the Rest on the Flight (detail) a | Rest during the Flight to Egypt af | Rocky Landscape with Saint Jerome af | The Baptism of Christ |
Related Artists:
Andrea Vaccaro
Italian Baroque Era Painter, 1604-1670 He first studied literature but at an early age turned to painting. He was probably a pupil of the late-Mannerist painter Gerolamo Imparato, though there are no known works from this period. About 1620 he became a follower of Caravaggio; he copied Caravaggio's Flagellation (Naples, Capodimonte), and his copy and the original hung in S Domenico Maggiore, Naples (copy in situ). David with the Head of Goliath (Florence, Fond. Longhi) and Sebastian (Naples, Capodimonte) are early works indebted to Caravaggio's naturalism and chiaroscuro. After 1630 Vaccaro drew inspiration from Guido Reni, Anthony van Dyck and Pietro Novelli and made copies of their works for Neapolitan collectors and dealers such as Gaspar Roomer and Jan Vandeneyden.
Jean-Baptiste Corot
1796-1875 was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. Camille Corot was born in Paris in 1796, in a house at 125 Rue du Bac, now demolished. His family were bourgeois people his father was a wigmaker and his mother a milliner and unlike the experience of some of his artistic colleagues, throughout his life he never felt the want of money, as his parents made good investments and ran their businesses well. After his parents married, they bought the millinery shop where she had worked and he gave up his career as a wigmaker to run the business side of the shop. The store was a famous destination for fashionable Parisians and earned the family an excellent income. Corot was the middle of three children born to the family, who lived above their shop during those years. Corot received a scholarship to study in Rouen, but left after having scholastic difficulties and entered a boarding school. He was not a brilliant student, and throughout his entire school career he did not get a single nomination for a prize, not even for the drawing classes. Unlike many masters who demonstrated early talent and inclinations toward art, before 1815 Corot showed no such interest. During those years he lived with the Sennegon family, whose patriarch was a friend of Corot's father and who spent much time with young Corot on nature walks. It was in this region that Corot made his first paintings after nature. At nineteen, Corot was a big child, shy and awkward. He blushed when spoken to. Before the beautiful ladies who frequented his mother's salon, he was embarrassed and fled like a wild thing Emotionally, he was an affectionate and well-behaved son, who adored his mother and trembled when his father spoke. When Corot's parents moved into a new residence in 1817, the twenty-one year old Corot moved into the dormer-windowed room on the third floor, which became his first studio as well. With his father's help he apprenticed to a draper, but he hated commercial life and despised what he called "business tricks", yet he faithfully remained in the trade until he was 26, when his father consented to his adopting the profession of art. Later Corot stated, I told my father that business and I were simply incompatible, and that I was getting a divorce. The business experience proved beneficial, however, by helping him develop an aesthetic sense through his exposure to the colors and textures of the fabrics. Perhaps out of boredom, he turned to oil painting around 1821 and began immediately with landscapes
Sanford Gifford
(July 10, 1823 C August 29, 1880) was an American landscape painter and one of the leading members of the Hudson River School. Gifford's landscapes are known for their emphasis on light and soft atmospheric effects, and he is regarded as a practitioner of Luminism, an offshoot style of the Hudson River School.